The thirteenth season of NBC’s procedural drama, Chicago Fire, culminated in a finale that deftly balanced significant change with the enduring constants of Firehouse 51. Titled “It Had to End This Way,” the episode delivered a powerful blend of high-stakes drama, intricate character development, and emotional resolution, leaving both long-time fans and casual viewers eagerly anticipating the next chapter. From a gripping investigation threatening the new chief’s career to life-altering romantic declarations and unexpected family news, the finale ensured that while some things shifted, the core spirit and camaraderie of Firehouse 51 remained undeniably intact.

One of the season’s most intense arcs reached its climax with Chief Dom Pascal, portrayed by Dermot Mulroney, finding himself unjustly accused. Following the attempted murder of the man responsible for his wife Monica’s death, Pascal was thrust into the hot seat. The evidence against him began to mount in episode 22, painting a grim picture for Firehouse 51’s recently appointed leader. Initially, the relationship between Pascal and Lieutenant Kelly Severide (Taylor Kinney) was fraught with tension, marked by an uneasy power dynamic and differing approaches. However, as the season progressed, a mutual respect blossomed, culminating in Severide’s unwavering commitment to clearing Pascal’s name.

Severide, leveraging his unparalleled skills as an arson investigator, delved deep into the case, initially suspecting a mob boss from Pascal’s past, Hendricks, might be framing him. Yet, the truth proved to be far more tragic and personal. Severide and Pascal ultimately uncovered that Lieutenant Vale was the actual perpetrator, driven by a twisted obsession with Monica. Vale, heartbroken by Monica’s death despite her rejection of his advances, sought a misplaced revenge against her killer. His intricate plot might have succeeded were it not for Pascal discovering incriminating texts from Vale to Monica and Severide’s meticulous forensic work. Severide’s diligent investigation successfully proved Pascal’s innocence, not only restoring the chief’s reputation but also solidifying a profound bond between the two men. This partnership, forged in adversity, promises a stable and unified leadership for Firehouse 51 moving into Season 14.

Meanwhile, the passionate yet complicated romance between Paramedic Violet Mikami (Hanako Greensmith) and Firefighter Sam Carver (Jake Lockett) reached a pivotal point, albeit one shrouded in ambiguity. Throughout Season 13, their “will-they/won’t-they” dynamic kept viewers on the edge of their seats, navigating flirtation, hesitation, and undeniable chemistry. In the finale, Carver delivered life-changing news to Violet, implying a career opportunity that would necessitate his departure from Chicago. This revelation threatened to pull them apart just as their relationship was deepening. However, the episode concluded with a powerful and emotional scene where Violet and Carver finally succumbed to their long-simmering feelings, exchanging “I love you’s” and sharing a poignant kiss. This emotional declaration left the future of Carver’s character uncertain. While logic suggests he should be leaving, the intensity of their connection strongly hints that his story might not be over. Chicago Fire showrunner Andrea Newman’s measured response regarding the return of Carver or Ritter in Season 14 suggests that Jake Lockett could potentially return in a recurring capacity, ensuring their complex relationship continues to evolve, adding another layer of personal drama to Firehouse 51.

The finale also saw a significant shift in leadership within Engine 51, driven by Christopher Herrmann (David Eigenberg) and Randall “Mouch” McHolland’s (Christian Stolte) deep friendship. All season, Herrmann wrestled with the possibility of taking the chief’s test, which would have positioned him to potentially replace Pascal. His consistent hesitation, however, underscored a fundamental truth about his character: Herrmann thrives in the direct action of firefighting, not behind a desk. In a surprising but ultimately fitting move, Herrmann decided against pursuing the chief position, ensuring Pascal’s continued leadership at Firehouse 51, a decision widely welcomed by the crew who had come to respect their new chief.

More remarkably, Herrmann made the selfless choice to take a demotion from lieutenant so that Mouch could step up and take over as Engine 51’s new lieutenant. This bold decision showcased the immense loyalty Herrmann holds for his long-time friend. Mouch, a beloved veteran firefighter often content in his role, finally received a well-deserved opportunity for formal leadership. Herrmann’s sacrifice underscores his understanding of his own strengths and weaknesses, acknowledging that his passion lies in being on the front lines, a decision that resonated deeply with his character’s journey. This leadership shuffle not only empowers Mouch but also reshapes the internal dynamics of Engine 51, promising fresh mentorships and new challenges for the team.

Perhaps the most significant and joyous development came for Kelly Severide and Stella Kidd (Miranda Rae Mayo). Their journey throughout Season 13 had been centered on their desire to start a family. Early in the season, they pursued adoption, only to face heartbreaking disappointment when the biological mother changed her mind at the last minute. This setback was followed by their decision to take in Natalie, a teenager whose family Kidd had rescued years prior, giving them a taste of parenthood. The finale, however, delivered an unexpected and monumental revelation: Stella Kidd announced to Severide that she was pregnant. This news fundamentally changes everything for the couple, propelling them into an entirely new phase of their lives.

The pregnancy marks a profound shift for Severide and Kidd, two highly skilled and often reckless firefighters whose lives are inherently dangerous. It will undoubtedly introduce new considerations about their careers, work-life balance, and priorities. Knowing the Chicago Fire universe, their path to parenthood will likely be filled with the “speed bumps” alluded to in the original article, from managing the demands of their jobs with impending parenthood to navigating the myriad challenges of raising a child. However, this development also reinforces the show’s central theme of chosen family and the evolving definitions of home within Firehouse 51, promising a deeply emotional and transformative journey for the beloved couple.

As the smoke cleared from the events of “It Had to End This Way,” Chicago Fire Season 13 concluded not with explosive cliffhangers, but with a carefully orchestrated reset for its ensemble. The finale thoughtfully positioned each character for compelling narratives in the upcoming Season 14. With Chief Pascal firmly established, Herrmann returning to the front lines, Mouch embracing his new leadership role, Violet and Carver navigating their ambiguous romance, and Severide and Kidd embarking on the adventure of parenthood, Firehouse 51 is poised for a new era. The delicate balance of continuity and change promises a season rich with character-driven stories, personal growth, and the unwavering dedication that defines the heroes of Chicago Fire.